Work in progress...
Director/Photographer/Motion designer/Freestyle rolling
Here are some samples of my work or artistic creations since January 2011.
Contact: clementmilot@gmail.com
Directed & Edited by Clément Milot and Boris Froment
Make up: Amandine Allin
First Assistant: Elisa Bohle
Few Pictures take during my last clip realisation did with the famous Red One camera.
Green Room Session Video’s
TSUGI FEDERATION, comme association, célébration ou encore union. Pour fêter son
quatrième anniversaire, Tsugi a choisi de célébrer la scène indépendante française et d’unir
les labels et les artistes qui font vivre la musique d’aujourd’hui.
Serum Essentiel by Kiotis
Production: 1000 Feuilles
Realisation: Lionel Richard
Camera, Montage, post production: Clément Milot
Trailer Snatch #10 – Gaspard Proust & Frédéric Beigbeder
Animation: Clément Milot
http://vimeo.com/user673723
Music: MSD, EP Prime Dub Record
fr-fr.facebook.com/msdubstep?sk=wall&filter=12
snatch-mag.com/
facebook.com/snatchmag
Jewel “L’etrangé à domicile”
JEWEL “Levé du bon pied”
Realisation/Captation/Montage/Post prod:
Clément Milot/Boris Froment
Snatch Heroes…
Picture: http://www.vincent-desailly.com/index.php?/reportages/tournage-snatch-heroes/
À l’occasion du lancement de son sixième numéro, Snatch Magazine décide de marquer le coup en réalisant un petit film autour de sa signature, le shot culturel.
« Snatch Heroes » est une échappée urbaine, un geste plein de rage et d’amour mais aussi un acte militant qui raconte l’histoire d’un deal de culture en se jouant des codes du polar.
Cette création reprend l’idée centrale développée par le magazine depuis plusieurs mois dans sa communication. Une idée qui consiste à traiter la culture comme une addiction afin d’en révéler le caractère vital.
Conception/Direction Artistique: La Dynamique.
Réalisation: Vincent Desailly & Clément Milot.
Production: Snatch Prod.
Casting: La Dynamique.
Musique/Sound Design: Track Knights.
Materiel: photocinerent.fr/
Slideshow: Freestyle rolling picture
Few picture take since 4 years.
“Absolutely - and it influences me more and more. My favorite spots now don’t only depend on the obstacles, but also on the surrounding environment that comes with them for the sake of filming or photography. It’s also much more pleasing to skate in different environments (whether it be hostile, original, weird, etc.). I think my perception of rollerblading has changed since I’ve invested myself more in the video process. I’m more interested in “weird” spots; ones rarely stumbled upon that we don’t see very often in videos. It’s perfect for a video, but also for my skating because it enables me to specialize myself in a side of rollerblading not yet fully exploited (I’m not trying to sound pretentious here). So of course filming and editing influences my skating and vice versa.”
Full interview: www.be-mag.com/article/1252-Cl-ment-Milot-Interview-Exclusive-Edit
Milo’s Profile… (2008)
Interview: http://stabyourselfintheface.com/2009/09/20/shock-interview-clement-milot-there-are-spots-everywhere/
Skating: Clément Milot
Filmed with cheapest Panasonic DVCam
Edit by: Clément Milot
Colorimetrie: Trak (Benjamin Trancart)
Musique: Alif tree
Main place: Paris
thirdimpactgear.com/
nomadeshop.com/#/page/street/
rat-tail.com/ground-control/
snatch-mag.com/
fr-distribution.blogspot.com/
Snatch My Bitch Up!
non-officiel video
By Morade Azzouz and Clément Milot
Music: myspace.com/electrikblast
Photo: www.street-tease.com/street-night/412-snatch-birthday-nouveau-casino-2011-04-30.html
